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  • Picasso & Abstraction
    Picasso & Abstraction

    This catalogue for a show at the Royal Museum of Fine Arts, Brussels, brings Picasso's relationship to abstraction into focus.With more than 120 exceptional works of art in dialogue with some of the great works of the early 20th century abstraction movement, it addresses the major stages that punctuated the links between Picasso's work and the history of abstract art.It covers the period from the first Cubist experiments of 1907, carried out simultaneously with Les Demoiselles d'Avignon, to his later work, which is sometimes situated on the borders of gestural painting.

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  • Lost in Abstraction
    Lost in Abstraction


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  • Gerhard Richter : Abstraction
    Gerhard Richter : Abstraction

    This publication is the first to focus solely on the abstract strategies and processes contained in Gerhard Richter’s body of work.In the early 1960s, the artist began to call painting into question, an exploration that continues to occupy him to this day.In the 1970s, he responded to the rejection of painting by creating a series of monochrome works in gray.Moreover, he viewed the colour gray as a means of addressing political themes without depicting them in an idealized manner.In his Inpainting series of the 1970s, Richter made brushstrokes and the application of paint his subject.In other works, he photographed small details from his palette and transferred them onto large canvases in a photorealistic manner.In his colour charts, he subjected painting to an objective process by leaving the arrangement of the colours to chance.Since 1976, Richter has created a series of abstract works by applying paint with a brush, scraper, and palette knife, alternating between conscious decision-making and random processes.

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  • Architecture and Abstraction
    Architecture and Abstraction

    A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms. In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources.Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials—Aureli shows that abstraction instead arises from the material conditions of building production.In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter.Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid.In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged—even experience itself is a commodity.To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

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  • Abstraction or alienation?

    Abstraction and alienation are two different concepts. Abstraction refers to the process of simplifying or generalizing something, often to understand it better or to represent it in a more basic form. On the other hand, alienation refers to the feeling of being isolated or disconnected from others or from society. While abstraction can be a useful tool for understanding complex ideas, alienation can be a negative experience that can lead to feelings of loneliness and disconnection. It's important to be mindful of the potential effects of both abstraction and alienation in different contexts.

  • Can you give me tips on abstraction?

    Sure! When working on abstraction, try to focus on simplifying complex ideas or objects into their most essential elements. Use shapes, colors, and lines to convey your message in a more abstract way. Experiment with different techniques and styles to find what works best for you. And most importantly, don't be afraid to take risks and push the boundaries of traditional representation.

  • Are logical thinking and abstraction abilities innate?

    Logical thinking and abstraction abilities are not entirely innate, as they can be developed and improved through learning and practice. While some individuals may have a natural inclination towards these skills, others may need more guidance and experience to enhance them. Through education, exposure to different problem-solving techniques, and critical thinking exercises, individuals can strengthen their logical thinking and abstraction abilities over time.

  • Are logical thinking and abstraction skills innate?

    Logical thinking and abstraction skills are not innate, but rather developed over time through learning and practice. While some individuals may have a natural inclination towards these skills, they can be honed and improved through education and experience. By engaging in activities that require critical thinking and problem-solving, individuals can enhance their logical thinking and abstraction skills.

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  • Abstraction Bathes in Sunlight
    Abstraction Bathes in Sunlight


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  • Georgia O’Keeffe: Abstraction Blue
    Georgia O’Keeffe: Abstraction Blue


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  • Abstract Painting and Abstraction
    Abstract Painting and Abstraction

    Abstract painting and abstraction can be a daunting and frustrating genre of art. How should you approach a surface? How can you use colour effectively? How can you make better, more expressive paintings?This inspiring book answers these questions and many more. Through a thorough analysis of his own work, Emyr Williams covers practical, theoretical and historical issues of abstract art and explains a wide range of working methods to help develop more demanding personal approaches to the making of abstract painting. He emphasizes the relationship of colour to surface and the importance of seeking a profound connection with your art.Further topics cover: the difference between abstract and abstraction; how an artist has developed expressive art in many different ways; maximize your studio effectiveness and manage your time better; discover how colour can be approached more effectively; learn about other possibilities for making abstract art - such as the role of technology and finally, be more demanding of your painting and make better abstract paintings.

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  • Howardena Pindell : Reclaiming Abstraction
    Howardena Pindell : Reclaiming Abstraction

    Exploring the art and life of this important American artist whose work bridged the gaps between abstraction, feminism, and Blackness “A deeply informative, inventive monograph that adroitly traces Pindell’s multi-media practice, the intermingling evolution of her aesthetic and political positions, and the critical context in which her work was received and evaluated.”—Blake Oetting, caa.reviews Howardena Pindell: Reclaiming Abstraction is a fascinating examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s—a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways.Sarah Louise Cowan not only asserts Pindell’s rightful place within the canon but also recenters dominant historical narratives to reveal the profound and overlooked roles that Black women artists have played in shaping modernist abstraction.Pindell’s career acts as a springboard for a broader study of how artists have responded during periods of heightened social activism and used abstraction to convey political urgency.With works that drew on Ghanaian textiles, administrative labor, cosmetics, and postminimalism, Pindell deployed abstraction in deeply personal ways that resonated with collective African diasporic and women’s practices.In her groundbreaking analysis, Cowan argues that such work advanced Black feminist modernisms, diverse creative practices that unsettle racist and sexist logics.

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  • What is the difference between abstraction and figuration?

    Abstraction and figuration are two different approaches to representing the world in art. Abstraction involves simplifying or distorting the subject matter to create a non-representational or non-literal interpretation. It focuses on the formal elements of art such as color, shape, and line to convey emotions or ideas. On the other hand, figuration involves representing the subject matter in a recognizable and realistic manner, often depicting people, objects, or scenes from the real world. Figurative art aims to capture the physical appearance and details of the subject matter. In summary, abstraction emphasizes the formal qualities of art, while figuration focuses on representing recognizable subjects.

  • What is an example of abstraction in epistemology?

    An example of abstraction in epistemology is the concept of "justice." In epistemology, justice is an abstract concept that is not directly observable or measurable. It is a complex idea that is formed through the process of abstracting common characteristics from various specific instances of justice. This abstraction allows us to understand and discuss justice as a general concept, even though it may manifest differently in different contexts. Abstraction in epistemology enables us to form general concepts and principles that help us make sense of the world and our experiences.

  • How are numerical symbols, logical thinking, and abstraction related?

    Numerical symbols, logical thinking, and abstraction are related in that they all involve the manipulation and understanding of concepts and ideas. Numerical symbols represent quantities and are used in logical thinking to solve problems and make decisions. Logical thinking involves reasoning and making connections between different concepts, which is also essential for understanding numerical symbols and their relationships. Abstraction is the process of generalizing and extracting common features from specific instances, which is necessary for both numerical symbols and logical thinking. Overall, these three concepts are interconnected and rely on each other for effective problem-solving and understanding.

  • What is a violation of the principle of abstraction?

    A violation of the principle of abstraction occurs when specific implementation details are exposed in a higher-level abstraction. This means that the higher-level abstraction is no longer independent of the lower-level details, making it harder to maintain and modify the code. It also reduces the reusability of the code since the implementation details are tightly coupled with the abstraction. To maintain a clean and modular codebase, it is important to adhere to the principle of abstraction by keeping different levels of abstraction separate and independent.

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